Musings on Rings For Hermes Pochettes

Hermes Pochettes are just as collectible as their other scarves and shawls. Sometimes a design was released in a pochette, such as "Metamorphose D'un Carre" and "Jardins D'Eden". Pochettes can often be a fun way to start an Hermes scarf collection for the new collector, and they allow us to go ahead and wear a nice silk scarf when weather directs otherwise.

Recently I was involved in a discussion on "just what can be used as a scarf ring for Hermes Pochettes?" Now Hermes makes some nice rings for them, there are the twilly rings, and most recently horn, and metal "chaine d'ancre" rings that are quite nice, but some feel they run on the expensive side. I myself like them but feel they are a bit limiting.

I like to vari my rings as I vari my scarves. To me the wearing of a pochette while still sophisticated, also has a bit of an avant garde look to the style. Therefore I enjoy really coming up with unusual rings to wear with them.

I have found interesting vintage pieces such as bakelite pieces, old victorian scarf slides made of carved ivory, and gold; not only add texture, but attract the eye.

Here are a few of my favorite pieces from my vintage collection which I reserve for my pochettes.



This is one of my favorites given to me by my mother before she passed away. It is a smooth bakelite piece embeded with rhinestones and is flat towards the back and lays so nice upon the neck. It adds a touch of elegance to this "Musique des Spheres" pochette.

This is an unusual piece a mixture of wood, stone, rosegold, and shell. I think that it pairs well with this Legende Kuna Peuple de Panama. (You can click on any picture and it will open larger)

This is another vintage bakelite paired with rhinestones, piece, and pairs nicely with Metamorphose D'un Carre.

Yet another bakelite / rhinestone piece.

This is a gold victorian scarf clip it pairs nicely with this Effluves. This type of scarf clip is not easy to come by, it has an inner hinge that is smooth an pinches in to hold it in place.
This is a carved ivory piece in the shape of a belt with buckle. The buckle pieces are inlaid silver. It kind of says Hermes to me in a very vintage way.


This is an all glass millefiori paperweight ring and is a highlight when paired with a Sulfures pouchette.

As you can see the sky is the limit when it comes to finding vintage and antique pieces to use as scarf rings for Hermes Pouchettes. Make the most of your own style and imagination, most of all have fun.

Tying An Hermes Scarf Carre Using A Plisse Knot

I like to try at times to tie my scarves in such a way as to really see a lot of the design. One of the best ways I have found to do this is to use a knot technique that was originally developed for the Plisse scarf. Below is the picture from the Plisse tying booklet. I will attempt to show you photos of how to do this technique with a regular carre or 36 inch square scarf.

First I start with the scarf off of my neck, underside up. I then pleat fold two opposing corners. See the illustrations below. The pleat folding does not have to be exact in fact it should not be, as this is what gives the billowy look to the scarf while wearing.



Now you are going to grasp the scarf in the very center keeping the pleated area bunched, and place the scarf on your neck. It is a good idea to pull it down in front kind of taunt in order to hold the pleating or bunching in place at the back of your neck.
With the front points hanging down, pull out from the center edge two little "tugs" of the scarf edge. You will be tying these together in a knot.

Once you have the little pieces "tugged" out, loop right over left and pull up slowly and tightly in place below your chin.

Now you will have some lovely billowy poofs that you can either arrange and let hang softly at your neck or off to the side, as I did with the Les Merveilles de La Vapuer below.

Or you can follow through with a full know of the tugged out areas which provides the final look of the Chevaux de France I am wearing in the picture shown last in this post.

Musing On Predicting the Recontre Oceane of Tomorrow

I sat in anticipation, breath paused with others in the room. I had come, as many others in the room an invited guest of Neiman Marcus, for the unveiling of the new fall/winter line of Hermes scarves in 2007.

When I arrived it was to a beautiful presentation of superbly set dining space, and the ultimate, a cake made to look like an Hermes presentation box. The room rang with this was going to be a wonderful gathering. There were of course many hellos to friends from far and near, the hugs, the oooos, and the awes over which scarf each one had chosen to wear.

And then we settled in for what was to be a delectable feast both for the palette, and for the eyes.

That is how I remember the day that I met, what I believe to be the next rival for top covet, in the wonderful world of Hermes scarf collecting. I was seated by chance at a table near the area where the models and the scarves made entrance. A couple came out and were handed to the table for review, they were pretty, indeed beautiful, although today I could not tell you what the names were or the colorways of those that arrived before "Chevaux de France" in a beautiful turquoise contrast hem colorway.

When this scarf was laid in my hands thunder clashed above me (OK a little exaggeration here, but that is what it felt like). Every color of the rainbow was deftly layered upon the silk, it glistened in the light, revealing the intricacy of the pattern, which was made to look like fine needlepoint stitches throughout revealing from afar a detailed design.

So why was this scarf so different? Why had I been struck almost dumb in its presence? Quite simply, I remember the raves of "Pavements" a scarf that rose in extreme popularity, and to this day remains a highly coveted piece, even after it made the list of those chosen to be faked by the unscrupulous counterfeiters.

You see "Pavements" is a design where each mosaic piece is different in shape, color and hue. But taken altogether they make up an incredible design, and so the effect is one that lends itself to the fact that someone would be hard pressed to find something that they could not wear their "Pavements" scarf with. The scarf to end all scarves if you will.

For quite sometime the "Pavements" design was a much sought after design, the prices resale went regularly went quite high for then resale pricing standards. In today's market it is still a loved design, but it does not command the attention, nor the pricing that it did four years ago. It has been replaced in that profile with a scarf that has less wearable attributes, that is to say is somewhat limited to what with and when it is worn, and that is the design "Rencontre Oceane" this scarf design seems to be most remarkable due in part to the saturation of colors in the design especially the central portion. All colorways of the design are beautiful, but the black, lime green, and the blue colorways seem to command the highest prices.

The length of time for which "Rencontre Ocean" has commanded the exteme high resale value, remains unprecedented. I am often made to wonder why this continues to be, as discussion regarding the design among collectors is unending at times. Such that I feel often we miss discussing other designs which quite frankly are more remarkable in nature.

And such is the case with "Chevaux de France". I fully predict that in the years to come, this design will become the much sought after, hard to accquire in lower price ranges, and will last long on the list of most desired designs.

I recently accquired one in the multi -color turquoise contrast hem colorway. This scarf is timeless, the details of the representation of the needlepoint stitches is heavenly to the extreme. I lose track of trying to count the colors represented in the design, it is truely amazing. I have taken and paired it with much of my wardrobe and found it to compliment nearly everything. In my opinion Hermes out did themselves in this scarf. I have not been extremely happy regarding most recent past season designs, I think I only purchased one from the spring 2007 collection. I completly understand the marketing stategy to attempt to market to a younger buyer. This effect on myself has been that it only makes me appreciate the designs of yesterday more. Until "Chevaux de France" this is a design that in later years everyone will be seeking and for all of the reasons that "Pavements" and "Rencontre Ocean" have been so loved it too will be desired.

Musings On Hermes Scarf Artist Philippe Dauchez

On July 23, 1948, France named Philippe Dauchez their official Maritime painter. His father Andre Dauchez had himself served as the official painter of the Navy, and would have wanted to direct his son towards a career in science. But Philippe Dauchez had been surrounded by artistic medium since childhood, and his love of both art and the sea quickly took root.

During a time in history when the rest of the world is just discovering the world of pleasure boating, Philippe is quietly building hid own sailing vessel in order to devote time to his passion. This passion came to an abrupt halt with the onset the war. Having obtained the coveted title of official painter of the Navy, he will then cease to sail on the seas of the world for the pleasure of cruising and racing. Instead he will carrying out his duties to document the history through the painting of France’s National marine.

His painting is spontaneous and merry, it the precise rendering and character requested of the official painters of the Navy, but it also has the reflection of the artists feelings as we can see here in the Hermes scarf bearing his signature. Here we pause as if on the docks to notice the quiet resting place of the yachts of a yacht club. Perhaps on the morning, just prior to opening day.

Hermes Olympic Scarf???

In years past Hermes has produced special edition pieces for the honor of the Olympic games. Unusual this years games in Beijing no mention of a special piece to my knowledge.

There was an exhibit in Beijing held in March of this year. For that exhibition Hermes asked famous Chinese painter Mr. Ding YI to design a scarf titled "Chinese Rhythm". It was the first of its kind to be designed by a Chinese painter. It would have been wonderful if Hermes would have issued this as the official Olympic Beijing scarf.

Speaking of Washing. This Is Definitely Not Something I Would Advise Doing With An Hermes Scarf!

Art out of art is an interesting idea, but I am not sure how I feel about this piece. It does make me shudder!

Musings on Tying Hermes Pocket Scarves, Otherwise Known As Pochettes

I am always trying to experiment with Hermes Pochettes to find a way to tie them that lets a lot of the design show while wearing. Today is was playing with a pouchette and a Chaine d'Ancre scarf slide. I discovered a nice way to incorporate the slide to give weight and body to a sort of poof at the neck that is very nice with a simple jewel neckline.


Lay the pochette face down, bring opposite corners through the openings of the Chaine d'Ancre and tie it in place.


Once the Chaine d'Ancre is secure and in place, then you can flip the scarf over, and tie it into postion at your neckline.

The weight of the Chaine d'Ancre helps the pochette stay in place and assists the scarf to poof, displaying most of the design in a nice way at the base of the neck.

Hermes Presents The Art Gallery Of The Future?

It looks like something out of a Sci-Fi movie, but truly interesting. I wonder if it will be landing in the United States.

http://artobserved.com/go-see-the-hermes-h-box-at-the-tate-modern-london-through-august-17/